在“出走的決心”之前出走

——《盛極一時(shí)的愛情》中女性形象的顛覆性表達(dá)

中圖分類號(hào)：J905 文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：2095-6916（2025）10-0169-04

Rolling Away Before “Like A Rolling Stone"

-The Subversive Representation of the Female Image in Till Love Do Us Part Ma Shuang

（School of Journalism and Communication，Shanghai Jianqiao University，Shanghai 201306）

Abstract：InthemovieTillLoveDoUsPart，directedbyLiRan，afemaledirector’snarativeshowcasesfemaleselfawakening.It reflectsmodernChinesewomen'sdilemabetweentraditional genderrolesandpersonalfredom.Inthemovie，thedirectoraangesthe femaleprotagonst，ShuQiaoogbroad，heresheromanticallcoutersQiuFan，athaterartistlivingabrodTsetraaital encounterisdepictedasacatalystforherindividualawakeningQiuFanwithoutasteadylifestyle，adecentjob，orpowerandsocial capital，starklycontrastswiththestable，standardizedlifemodelofSuQiao’shusbandHuZhun，whoembodiespatriarchal capitalism.YetforShuQiaoQiuFanbecomesapassgetoanotherlife，whicheableshertoseeretlybreakthroughhercontradictions. TheireventualseparationredefinesintimacyItstepsoutoftetraditioalgndrelationshipativeframework．Whenfaitfultoa healthyand energeticrelationship，individualsfeel loyal tothemselves.

Keywords：female image;female movie；feminism;Chinesemovie

中國(guó)電影中女性形象的塑造在不同歷史階段呈現(xiàn)出不同特征，反映了社會(huì)文化觀念的變遷。（剩余5608字）