佛與菩薩的列像

——庫(kù)木吐喇石窟回鶻時(shí)期第42、45窟甬道壁畫(huà)研究

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中圖分類(lèi)號(hào)：K879.25 文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：1000-4106（2025）03-0090-10

Images of Buddhas and Bodhisattvas Standing in Rows

—A Study on the Corridor Murals in Caves 42 and 45 of the Kumtura Grottoes during the Uighur Period

YANG Bo'SUN Bin2 （1. Zhejiang History Research Center， Hangzhou City University， Hangzhou 31ooo， Zhejiang; 2.Journal EditorialDepartment，HebeiNormal University，ShijiazhuangO5oo24，Hebei）

Abstract：The Uighur period caves at the Kumtura Grotoes inheritedthe formoftheirconstruction from Anxi during the Tangdynastywhichitselfwasareconstructionofthecentral-pilaredcavesmadeintheformerQiuci style.However，inthese caves，rows of standing Buddhas and Bodhisattvasare depictedonthe wallsofthecorrdors in placeof the narative nirvana illustrationscommontotraditionalQiucicaves.Inadition，the Uighurpaintersincoporatedvariousnarativeelementstotheir paintingsbydepictingdiferentfiguresfromthestoriestradionallyused intheQiucistylebelowtherowsofBuddhasand Bodhisatvas.Althoughacertainamountofdislocationappears intheplotsasaresultofthecombinationoftraditional storiesand newimages，thecontentwasbynomeanschosenatrandom.Infact，thenewfigures weredeliberatelychosen fromthestoriesof

Pranidhanaand paintedbelowtheimagessoastoinspireBuddhistpractitionersacording totheprinciplesoutlinedinthe texts.

Keywords：Kumtura Grotoes;Uighur period; rows of standing Buddhasand Bodhisattvas; Pranidhana

龜茲中心柱窟的典型模式，是以中心柱窟主室和甬道分別代表兩大區(qū)域。（剩余11031字）