東晉—北魏時(shí)期播龔兼擊雞婁鼓圖像研究

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中圖分類號(hào)：K879.4；K879.44 文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：000-406（05）03-0080-0

A Study on the Images of the Tao and Jilougu Performances from the Eastern Jin to the Northern Wei Period

ZHAO KunyuJIA Zhenghui2 （.Yungang Research Institute，Datong O37007， Shanxi; 2.School ofMusic，ShanxiUniversity，Taiyuan O3ooo6， Shanxi）

Abstract：The earliest images of people playing the tao，a small drum that was shaken in one hand similar to a drum-shapedratle，and thejilougu雞婁鼓，atypeofum-shaped drum，which include specific datescanbefoundin themurals in Dong Shou'stombincontemporaryAnyueCounty，North Korea.Thesepaintings werecreated inthethirtenth yearof the Yongheera （357CE）;whilethe most recent depictions located in Zhang Zhilang'stombare from the Pingcheng era of the Northern Weidynasty（460CE）.Iconographic materials haverarelybeentaken intoaccountinprevious studiesontheorigins， historyandevolutionofancientdrum performances，andasaresult，thecurrnt stateofresearch islackingakeysourceof information.According toidentical images foundinthetombsinthe HexiRegionsandin Goguryeo，andbasedonan investigationofthehorsebackmusiciansbeatingthe taoandthepi（akindofsmaldrumused inthearmy）inthe tombsofthe SixteenKingdoms period in the Guanzhong Region，this paper hascometo theconclusion thatboth typesofperformances originated from the windand drum music of the Han dynasty，and that both were originall played as military music.Among thesemages，thepaintingsofmusiciansbeatingthetaoandjilouguatthesametimehavebenfoundinearlierdepictionsinthe portraitbricksoftheWeiandJintombs intheHexiregions，andhadafar-reachingimpactonthetombartofancientChina.

Keywords：tao; jilougu; jiao （horn）; wind and drum music

播轟兼擊雞婁鼓演奏形式的出現(xiàn)時(shí)間與源地，已見成果多為始于初唐、源于西域，并將此奏法歸于古代西域人的創(chuàng)造。（剩余12206字）