敦煌壁畫粉本的流傳

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中圖分類號(hào)：K879.21；K879.41 文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：1000-4106（2025）03-0030-07

On the Dissemination of the Master Copies of the Dunhuang Murals

WANG Huimin （InstituteofArchaeology，DunhuangAcademy，Dunhuang7362oo，Gansu）

Abstract：While most artisticcreation todayis produced byartists with total freedom towork as theywish，the murals and statues nancientreligious temples were usuallycreatedaccording tomastercopies.Themastercopies that te Dunhuang murals werebasedoncame mostlyfromthe CentralPlains，thoughthecontentsandappearanceofthesame themesvariedindiferent cavesanddiferenttimes.Byinvestigating thecirculationofthemastercopies forthepaintingsofDunhuang，ithasbeen discoverd thatsomeof thetemplates are inconsistent with thecontentsofthe Buddhist scriptures they were meant to expres， andthat someof these inconsistenciescontinuedtoberepeatedoveralong periodoftime.Thissuggsts thatthe mastercopies continued to be used for a long time after they were first introduced to Dunhuang.

Keywords：art academy;painters;master copy; sutra illustration （Translated byWANGPingxian）

敦煌在古代屬于中央王朝統(tǒng)治下的一個(gè)州縣，刺史與縣令均由中央政府委派，所以敦煌藝術(shù)是中原藝術(shù)的一部分，敦煌壁畫中的粉本多數(shù)來自中原，這是學(xué)術(shù)界一致的觀點(diǎn)。（剩余6164字）