作為記憶之地的鄉(xiāng)村：李?，B導(dǎo)演電影中的空間書寫

[中圖分類號]J905[文獻(xiàn)標(biāo)識碼]A[文章編號]1671-8372（2025）02-0093-07

The countryside as a site of memory：spatial writing in directorLi Ruijun's films

JIAJi-chuan，LIUyue

（College ofLiberalArts，NanjingNormal University，Nanjing21oo97，China）

Abstract：With the acceleration of China's modernization process，the relentless expansion of urban space in therealworldhas leftrural spaceinaprecariouscondition.Thefilmseriesbythenew-generation directorLiRuijun colectivelyconstructsaportraitofruraltransformationwithinmodernity’scontextLi'scinematicimager，exploations of traditional rural memory areconducted across three dimensions：physical space，imaginative space，and athird cinematicspace.Physicalspaceforegrounds theroleofintergenerationalsites （houses，land，graves）inthepreservationof individual memories.Imaginative space reveals anxieties ofrootlessessandthe quest foraspiritual homeland，exposing thepredicamentofafadingruralcivilization.Cinematicimagery，functioningasthethirdspace，achievesthepreservation of traditionalrural life'sspatiotemporaltraces through telephoto，panoramicand long shot.DirectorLiRuijun's work notonlyusesimages tocounteracttheerosionofruralmemories，butalsoactivatesregionalidentitythroughindividual memories and reinforces ethnic identity through collctive memories，offering avisualarchive for the survivalofrural civilization amid the tides of modernization.

Key words：directorLiRuijun；rural film;rural space；spatial memory

不同于第六代導(dǎo)演的城市影像言說，新生代導(dǎo)演李?，B自踏入影壇以來就以“農(nóng)民導(dǎo)演”“鄉(xiāng)村導(dǎo)演”“華語電影的拾穗者”聞名影壇。（剩余11622字）