改革開(kāi)放以來(lái)中國(guó)鄉(xiāng)土電影創(chuàng)作研究

——以《鄉(xiāng)音》《秋菊打官司》《隱入塵煙》為例

[中圖分類(lèi)號(hào)]J905[文獻(xiàn)標(biāo)識(shí)碼]A[文章編號(hào)]1671-8372（2025）02-0085-08

Research on the creation of Chinese rural films since the reform and opening up

acaseanalysisofHomecoming，TheStoryofQiuJuandReturntoDust XING Chong，JIHuan-yu （College ofCommunication，Qingdao Universityof Scienceand Technology，Qingdao 266o61，China）

Abstract： Since the reform and opening up，Chinese rural films have undertaken the task of documenting contemporary socialrealitiesbycapturingthedynamictransformations ofruralsocietythroughthevisualconstructionof urban-rurallandscapesandculturalreflection.Homecoming，TheStoryofQiuJuandReturntoDustarerepresentative works ofChineseruralflms during this period.These threeflms present the developmentandchanges inthecreative conceptsof Chinese rural films in termsofnarrative subject images，the expression of urban andrural images，and realistic creative techniques，reflecting the multidimensionalrealitiesandunderlying tensions ofrural society in the process of Chinese modernization.

Key words：rural films;Homecoming;The Story ofQiu Ju;Return to Dust

鄉(xiāng)村電影和鄉(xiāng)土電影的關(guān)系一直備受爭(zhēng)議。（剩余13455字）