漫談“相對簡化”視角下的中國陶瓷雕塑藝術(shù)變遷

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This article is aimed to explore the relevance among relative simplification theory， Chinese ceramic sculpture art and Taoist philosophy by reviewing the history of Chinese ceramic sculpture. It is expected to offer some ideas for creation of Chinese contemporary and future ceramic sculpture artworks.

阿恩海姆認為相對簡化是藝術(shù)品的一個重要特征，而縱觀中國陶瓷雕塑歷史，從原始時期一直到今天，相對簡化的藝術(shù)實踐一直根植在中國大地。（剩余4046字）